Courtney McWhorter on the “Perception of Forgery According to the Role of Art”

by Jessica Graham Nielsen ARCA welcomed one of the newest scholars to the field, Courtney McWhorter, as she presented her paper on the “Perc...

Michelle D’Ippolito on “Discrepancies in Data: The Role of Museums in Recovering Stolen Works of Art”

By Mark Durney, Founder of Art Theft Central Aspiring art crime researcher, Michelle D’Ippolito, who currently is completing her undergradua...

Sarah Zimmer on “The Investigation of Object TH 1988.18: Rembrandt’s 100 Guilder Print”

By Kirsten Hower, ARCA Intern Sarah Zimmer is a part-time faculty member at the Art Institute of Michigan’s Photography department and teach...

Leila Amineddoleh on “The Pillaging of the Abandoned Spanish Countryside”

Leila Amineddoleh By Molly Cotter, ARCA Intern Leila Amineddoleh, a 2010 alumnus of ARCA’s Master’s program in International Art Crime studi...

Author and Historian Peter Watson Discussed What He Called “Some Unpublished and Un-pulishable Details about Recent Art Crimes”

Peter Watson (Photo by Urska Charney) by Catherine Schofield Sezgin Peter Watson, author of numerous books including “The Medici Conspiracy”...

"Stealing Beauty: Art Crime during War" a public lecture by Judge Arthur Tompkins on July 29

Art Crime Writer Fabio Isman on "The Biggest Looting: an awful story that will never end" and his latest book "Il predatori dell’arte perduta: il saccheggio dell'archeologia in Italia"

Fabio Isman (Photo by Urska Charney) by Jessica Graham Nielsen, ARCA Intern Fabio Isman, a celebrated investigative journalist in Rome, who ...