The Journal of Art Crime, Fall 2011: Noah Charney on The Art We Must Protect: Top Ten Must-See Artworks in Florence

In the Fall 2011 issue of The Journal of Art Crime , Editor-in-Chief Noah Charney features 10 artworks to protect in Florence: Michelangelo...

The Journal of Art Crime, Fall 2011: Diane Joy Charney reviews Terence M. Russell's "The Discovery of Egypt: Vivant Denon's Travels with Napoleon's Army" and Denon's erotic novel "No Tomorrow"

In the Fall 2011 Issue of The Journal of Art Crime , Diane Joy Charney reviews Terence M. Russell's The Discovery of Egypt: Vivant Denon...

The Journal of Art Crime, Fall 2011: Q&A with Stuart George, expert on fine wines

In the Fall 2011 issue of The Journal of Art Crime , Editor-in-Chief Noah Charney interviewed Stuart George, a UK-based writer, art historia...

The Journal of Art Crime, Fall 2011: Diane Joy Charney reviews Nathaniel Herzberg

In the Fall 2011 issue of The Journal of Art Crime , Diane Joy Charney reviews Nathaniel Herzberg's Le Musée Invisible: Les Chefs-d'...

The Journal of Art Crime, Fall 2011: Noah Charney on "Lessons from the History of Art Crime"

In the Fall 2011 issue of The Journal of Art Crime , publisher Noah Charney takes a break from his regular column "Lessons from the His...

The Journal of Art Crime, Fall 2011: General B(a) CC Giovanni Pastore on "Archaeology and the Problem of Unauthorized Excavation in Italy"

In the Fall 2011 issue of The Journal of Art Crime , General B(a) CC Giovanni Pastore writes of "Archaeology and the Problem of Unautho...

The Journal of Art Crime, Fall 2011: Christopher A. Marinello and Jerome Hasler on "The Flap Over Scrap: Theft and Vandalism in Exterior Sculptures"

In the Fall 2011 issue of The Journal of Art Crime , Christopher A. Marinello and Jerome Hasler look at "The Flap Over Scrap: Theft and...

The Journal of Art Crime, Fall 2011: David Gill's Column "Context Matters" looks at "Compliance and the Antiquities Market

In the Fall issue of The Journal of Art Crime , David Gill, in his column "Context Matters" looks at "Compliance and the Anti...

The Journal of Art Crime, Fall 2011: Derek Fincham's Column "The Empty Frame" looks at "Cerveteri: a Vulnerable Ancient Masterpiece"

ARCA's Academic Director Derek Fincham writes a column "The Empty Frame" for The Journal of Art Crime . In the Fall 2011 issue...

The Journal of Art Crime, Fall 2011: Leila Amineddoleh on "The Pillaging of the Abandoned Spanish Countryside"

The Fall 2011 issue of The Journal of Art Crime features an article by ARCA Alum (2010) Leila Amineddoleh on "The Pillaging of The Spa...

The Journal of Art Crime, Fall 2011: John Daab on "Flouting the Law through Fine and Decorative Art Appraising"

The Fall 2011 issue of The Journal of Art Crime features an academic article by returning contributor John Daab. ABSTRACT: In appraising fi...

The Journal of Art Crime, Fall 2011: Hasan Niyazi on "The Art of Seeing - A Leonardo Case Study"

In the current issue of The Journal of Art Crime , Fall 2011, Hasan Niyazi writes on "The Art of Seeing - A Leonardo Case Study": ...

The Journal of Art Crime, Fall 2011: Aviva Briefel on "Imperfect Doubles: the Forger and the Copyist"

Aviva Briefel, an Associate Professor of English at Bowdoin University, has published “Imperfect Doubles: The Forger and the Copyist” in the...

The Journal of Art Crime, Fall 2011: Now Available

The sixth issue of The Journal of Art Crime, the first peer-reviewed academic journal on the interdisciplinary study of art crime, is now av...

The Journal of Art Crime, Spring 2011: Q&A with the Québec Art Crime Team

Québec Art Crime Team ARCA Blog Editor-in-Chief Catherine Schofield Sezgin interviews the Québec Art Crime Team in the Spring 2011 issue of ...

The Journal of Art Crime, Spring 2011: The Art Loss Register Recovery Update

"Portrait of a Man" by Sir Henry Raeburn In the Spring 2011 issue of The Journal of Art Crime , Christopher A. Marinello, Executiv...

The Journal of Art Crime, Spring 2011: Diane Joy Charney on "Another look at the 2010 ARCA Conference on the Study of Art Crime: Something for Everyone"

French literature lecturer Diane Charney ties in Romain Gary's "Le Faux" ( The Fake ), a 20th century story by the WWII hero a...

The Journal of Art Crime, Spring 2011: "Freeze of BBC License Fee Continues Dream of Art Thief Who Stole Goya's 'Portrait of the Duke of Wellington' from the National Gallery in 1961

In an editorial essay for the Spring 2011 issue of The Journal of Art Crime , editor-in-chief Noah Charney writes about the 50th anniversary...

The Journal of Art Crime, Spring 2011: Noah Charney's Q&A with Alan Hirsch

Williams College's Professor Alan Hirsch spoke with Noah Charney for a Q&A column for the Spring 2011 issue of The Journal of Art Cr...

The Journal of Art Crime, Spring 2011: Noah Charney's Q&A with Peter Watson

Peter Watson, the critically-acclaimed author, answered questions posed by Noah Charney for the Q&A column for the fifth issue of The Jo...